Alex Ross on the precursors to Nazism

Alex Ross on the precursors to Nazism

Alex Ross published an April 2018 article in The New Yorker on the scholarly research into the international precursors of Nazism, titled “How American Racism Influenced Hitler”. I read the article at the same time that I was reading Robert Proctor's book, Racial Hygiene: Medicine Under The Nazis, and the tie-ins were stark. The article is deeply disturbing, and the comparisons to our current climate left me feeling distraught. It is my hope that projects like The Mischlinge Exposé can use personal stories to help make room for compassion.

Americans have an especially insatiable appetite for Nazi-themed books, films, television shows, documentaries, video games, and comic books. Stories of the Second World War console us with memories of the days before Vietnam, Cambodia, and Iraq, when the United States was the world’s good-hearted superpower, riding to the rescue of a Europe paralyzed by totalitarianism and appeasement. Yet an eerie continuity became visible in the postwar years, as German scientists were imported to America and began working for their former enemies; the resulting technologies of mass destruction exceeded Hitler’s darkest imaginings. The Nazis idolized many aspects of American society: the cult of sport, Hollywood production values, the mythology of the frontier. From boyhood on, Hitler devoured the Westerns of the popular German novelist Karl May. In 1928, Hitler remarked, approvingly, that white settlers in America had “gunned down the millions of redskins to a few hundred thousand.” When he spoke of Lebensraum, the German drive for “living space” in Eastern Europe, he often had America in mind.
— Alex Ross, The New Yorker

Miami Holocaust Memorial

Miami Holocaust Memorial

While on break in Miami for Passover, I visited the Holocaust Memorial and the emotional, and gut-wrenching sculpture by Kenneth Treister. I also had the honor of meeting survivor Henry F., who is 94 and going strong!

Murderers Among Us

Murderers Among Us

Scene from Wolfgang Staudte's 1946 film, Murderers Among Us

The above scene is from Wolfgang Staudte's 1946 film, Murderers Among Us, which was produced by the state-owned film studio of the GDR (East Germany), DEFA. The film was initially rejected by the British, French, and American studios due to its political nature, but the Soviets viewed film as a primary means of re-educating the German populace after twelve years of Nazi rule and made it the first of the films produced by DEFA.

The White Rose

The White Rose

Wednesay, Richard Hurowitz published a fantastic op-ed in the New York Times featuring a group of young German idealists who called themselves “The White Rose”:

Seventy-five years ago Thursday, a group of young German idealists, students who had dared to speak out against the Nazis, were executed by the regime they had defied. Like a flickering flame in the darkness, the White Rose, as its members called themselves, is an inspiring group that never lost its courage — and a frightening reminder of how rare such heroes are.… We are far from the darkness of fascism, but we do ourselves a service by remembering the sad but noble story of these beautiful souls on the anniversary of their tragic sacrifice.
— Richard Hurwitz, The New York Times

German Jews in America

German Jews in America

Happy to share notes from another fantastic article from the Jewish Voice From Germany - “Live and prosper”:

European approaches with distinctly American modes. In the United States, emigre scholars and artists were once again outsiders. They had German accents and upbringings. They were new immigrants in a new land. They were often uncomfortable in their new settings, and they sometimes encountered prejudice or bias in America as well. Nevertheless, they managed to become active participants in American cultural and intellectual life. Their insider/outsider status helped to fuel their creativity and achievements, often blending European approaches and new American priorities.
— William H. Weitzer